Aleksander Hemon’s “Love and Obstacles” follows the development of an  unnamed Yugoslavian writer who immigrates to America before the wars  tear apart his country. His escape is due to circumstance, not  cowardice, but the narrator’s feelings of guilt riddle the pages. Hemon  has an excellent eye for character and scenery. The cold of Wisconsin,  the joie de vivre of a Sarajevo café, or the stagnancy of fundraisers  are depicted with equal accuracy. The stories are not autobiographical,  but the similarities between Hemon and the narrator are compelling. Each  story stands alone, but as a series we see the narrator move from the  searching adventurousness of adolescence to a resigned and somewhat  abashed adulthood. “But the beauty of youth is that reality never quells  desire,” writes Hemon in an early story. This brash optimism dissipates  as the narrator moves toward middle age. Hemon chronicles the  frustrations of youth and the past with an appreciation for that  particular variety of despair rather than with mournful nostalgia.
“Love and Obstacles”
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